Maker
Anonymous Master
The maker moves between kiln-cast glass, cast bronze, and carved marble, and treats each one on its own terms. Glass keeps whatever texture the mould gives it. Bronze comes back from the foundry and gets worked again by hand before any patina goes on. Marble takes months of subtraction.
The name is withheld here, not from you
Anonymity in this catalogue is the maker’s choice, and it stops at the door. The house introduces serious enquirers to the maker at a viewing, and the verified record travels with the certificate when a work is sold. What you cannot read on this page you can hear from the maker in person.
Everything else sits on the open record: material, process, dimensions, the date the piece entered the house, and the appraisal the house has set. You can check any of it on the verification page.
How to meet the maker
Enquire on a piece, or ask the house for a viewing through the collectors page. The house answers personally and arranges the introduction. There is no gallery floor and no intermediary.
Credentials
Attribution withheld from the public catalogue at the maker’s request. The house verifies the maker’s full record as part of acceptance, introduces collectors to the maker at a viewing, and releases the record with the certificate on sale. The practice spans kiln-cast glass, cast bronze, and carved marble.
